Search just our sites by using our customised search engine
Unique Cottages | Electric Scotland's Classified Directory

Click here to get a Printer Friendly PageSmiley

Glimpses of Church and Social Life in the Highlands in Olden Times and Other Papers
Chapter I. Macpherson’s early life—His literary and public career—Glimpses of his life in Badenoch.

“I am gone mad about them. It is impossible to conceive that they were written by the same man that writes me these letters. On the other hand, it is almost as hard to suppose, if they are original, that he should be able to translate them so admirably. In short, this man is the very demon of poetry, or he has lighted on a treasure hid for ages.”—Gray.

Ruthven, in the parish of Kingussie, on the north side of the Grampians—about half-way on the great Highland Road between Perth and Inverness—was born, in 1736, James Macpherson, who at the early age of twenty-four attained such celebrity as the translator of Ossian’s poems, and of whom such a true poet as the author of the immortal “Elegy in a Country Churchyard” so wrote in the seventh decade of last century. In a letter or memorandum addressed by Alexander Clark, “writer at Ruthven in Badenoch,” to the Rev. John Anderson, minister of Kingussie (one of the translator’s executors), dated 25th October 1797, Clark states that “the late James Macpherson of Balville, Esquire, was born 27th October 1736,1 and dyed in February 1796, in the fifty-ninth year of his age. His father’s name was Andrew Macpherson, son to Ewan Macpherson, brother to the then Macpherson of Cluny. His mother’s name was Ellen Macpherson, daughter of a respectable tacksman of the second branch of the Clan.”

In the immediate neighbourhood of the old village of Ruthven, in the lordship of Badenoch, stood Ruthven Castle—once the great stronghold of the Comyns—where after the battle of Culloden the remnant of the ill-fated followers of Prince Charlie met, never more to reassemble. To prevent its falling into the hands of the Royalists the castle was burnt by the fugitives from Culloden, and the flames would in all probability have been witnessed by Macpherson, then a boy of nearly ten years old.

Receiving the earlier rudiments of his education at home, Macpherson was afterwards sent to the grammar-school of Inverness. Of a good family and destined for the Church, he subsequently attended in succession the Universities of Aberdeen and Edinburgh, and for a short time after the completion of his curriculum filled the honourable position of parochial schoolmaster at Ruthven, then a place of considerable educational distinction. Writing in 1760, “I well remember,” says Shaw, the historian of Moray, “when from Speymouth (through Strathspey, Badenoch, and Lochaber) to Lorn there was but one school—viz., at Ruthven in Badenoch—and it was much to find in a parish three persons that could read or write.”

Besides contributing fugitive pieces to the ‘ Scots Magazine ’ of the time, Macpherson in 1758, when only twenty-two years of age, published a poem in six cantos entitled “ The Highlander,” which, though not calculated to set either the Thames or the Water of Leith on fire, was sufficient, considering the youth of the author, to make him known to a few as a literary aspirant of some promise.” David Hume the historian describes him soon afterwards as “ a modest, sensible young man, not settled in any living, but employed as a private tutor in Mrs Graham of Balgowan’s family—a way of life of which he is not fond.” In October 1759, Dr Carlyle of Inveresk happened to visit the Spa at Moffat, where he met the well-known John Home, the author of ‘Douglas.’ In the course of conversation between them allusion was made to transcripts of Gaelic poems in the possession of Macpherson, who was at the time resident at the Spa with his pupil, young Graham of Balgowan, afterwards Lord Lynedoch. Home was so impressed with the amount of poetical genius displayed by the portions submitted to him of Mac-pherson’s translations, that these were forwarded to Dr Blair, the leading literary arbiter of the time in the Scottish metropolis. So deep an interest did that great literary theologian take in the translations, that Macpherson was subsequently urged to give translations of all the fragments of Ossianic poetry he could collect, with the result that in the following year (1760) a small volume was published, under Dr Blair’s patronage, entitled ‘ Fragments of Ancient Poetry collected in the Highlands of Scotland and translated from the Gaelic or Erse Language.’ Such was the furore which the publication of these fragments created in the literary world that Macpherson in 1762, as the result of his further labours as a collector and translator, published ‘ Fingal; an ancient Epic Poem in Six Books, with several other Poems, composed by Ossian, the son of Fingal, translated from the Gaelic Language by James Macpherson.’

“The reception,” says Professor Blackie, “which this volume met with was more than sufficient to spur the author to give the finishing touch without delay to his great work of making the echoes of the old Celtic harp sweetly audible to Teutonic ears. He worked on the maxim of striking the iron when it is hot, and next year produced ‘Temora,’ an epic poem of larger range than ‘Fingal,’ along with some minor poems. Thus his Celtic labours were completed, and his European reputation as the Pisistratus or the Aristarchus of a Celtic Homer established; and thus in a sudden and strange way, from a little flickering light, so to speak, flitting over a Highland bog, he had become metamorphosed into a jar strongly laden with electricity, and flashing forth light and animation through the body and to the uttermost limbs and flourishes of the intellectual world. Unquestionably he had good reason to be satisfied; he had good reason to be proud; grave reason also to be modest, and, as St Paul expresses it, to rejoice with trembling.”

Macpherson’s subsequent literary and public career is thus briefly sketched in the admirable introduction by Mr Eyre-Todd to the edition of the Poems of Ossian, recently published as one of the series of ‘The Canterbury Poets’ :—

“In 1764 he went out to Pensacola as private secretary to the Governor there. A difference however arising, he gave up the position, made a tour through the West India Islands, and returned to London in 1766 with a pension of 200 a-year. In 1771 a volume of Gaelic Antiquities which he published, under the title of‘An Introduction to the History of Great Britain and Ireland,’was most bitterly attacked upon its appearance. This, with the similar abusive reception accorded his prose translation of the ‘ Iliad of Homer,’ published in two volumes in 1773, serves to show that the attitude towards him of the literary cliques of

London had not altered in ten years. Better fortune must have attended the publication in 1775 of his ‘History of Great Britain from the Restoration to the Accession of the House of Hanover,’ with its companion volumes of ‘Original Papers’; for he is said to have received for this work the sum of ^3000. The Government also employed him to write two pamphlets in defence of their action in the dispute and rupture with America. And on being appointed agent in Britain for the Nabob of Arcot, he was provided with a seat in Parliament.”

Failing in health, and seeking rest from the din and turmoil of political and public life in the great metropolis, Macpherson retired at length to Belleville, a beautiful estate which he had purchased in the parish of Alvie, where, from a design by the “Adelphi Adams”—the famous architect of the Edinburgh University buildings and St George’s Church, Edinburgh—he built a handsome residence, situated within two or three miles of the spot where he had been born, and commanding a magnificent view of the Grampians and the valley of the Spey.4 Writing about half a century ago :—

“This mansion,” says Dr Carruthers, “was built by the poet when fame and fortune had crowned him ; here he died, and here his eldest daughter, Miss Macpherson, still resides. The situation of the house is beautiful, commanding a full view of the valley and river, and bounded in front by two ridges of hills, those of Invereshie, and the grey mountainous ridge of the Grampians. The property was purchased about the year 1790 by the poet from the family of Mackintosh of Borlum—a small Highland laird who disgraced his clan and descent by highway robbery, committed not in the old legitimate piratical way of levying blackmail, but by attacking travellers. His last exploit was the robbery of a carriage, for which his associates were hanged; but the prime offender contrived to escape to America. A cave is shown in the rock where the bandit group used to watch the approach of travellers, and rush down on their unsuspecting prey. The hillside is now covered with trees, and near the mansion are some fine old elms, planted by Brigadier-General Mackintosh, who was so intimately connected with the public insurrection of 1715. The Brigadier was a rough soldier, trained to war in France, and when confined in prison for his share of the rebellion, he had the taste to order a row of trees to be planted along the roadside, below his residence. The poet changed the name of the estate from Raitts to Belleville, and pulling down the old Highland domicile, erected the present stately structure.

“The interior of Belleville House is handsomely furnished, and contains an excellent portrait of the poet, and another of one of his intimate friends, Caleb Whitefoord, both by Sir Joshua Reynolds. A view of the house and grounds by Thomson of Duddingston, and two private portraits, also ornament the walls. In the drawing-room is a small enamel portrait of Macpherson, the duplicate of one painted for the Nabob of Arcot, also by Sir Joshua; and it is said to be curious as the only miniature on ivory which the distinguished artist was ever known to execute. The poet was a handsome man, six feet three inches in height, of a fair and florid complexion, the countenance full and somewhat inclining to the voluptuous in expression, but marked by sensibility and acuteness. In the library is a curious trio of small volumes presented in 1785 by the Prince of Wales (George IV.) to the poet. They contain a collection of the Della Cniscan poetry by Anna Matilda and others, which was so unmercifully and so justly lashed by Gifford in his ‘Baviad and Mseviad.’ The volumes are splendidly bound in morocco, with a profusion of tawdry gilding, and are placed in a small box, also covered with gilt morocco. We looked with more interest on the different publications of Ossian from the first work, a small duodecimo of about sixty pages, entitled ‘ Fragments of Ancient Poetry, translated from the Gaelic or Erse Language,’ the quarto ‘Fingal’ and ‘Temora’ dedicated to the Earl of Bute, then the prime dispenser of Government patronage, ‘in obedience to whose commands,’ as the dedication states, ‘they were translated.’”

Mrs Grant of Laggan gives several interesting glimpses of the translator from 1788 down to the date of his death in 1796. Writing from the manse of Laggan—within twelve miles from Belleville—to a Mrs Brown, Glasgow, of date 10th October 1788, Mrs Grant says:—

“If you would tell me what you are all about, I would, for instance, tell you how the Bard of Bards, who reached the mouldy harp of Ossian from the withered oak of Selma, and awakened the song of other times, is now moving, like a bright meteor, over his native hills; and, while the music of departed bards awakes the joy of grief, the spirits of departed warriors lean from their bright clouds to hear, and a thousand lovely maids descend from the hill of roes, and pour forth the tears of beauty to the woes of Malvina; while the fair mourner of Lutha rejoices in the presence of her love, to hear his fame resound once more from Albion’s cliffs to the green vales of Erin. This bard, as I was about to tell you, is as great a favourite of fortune as of fame, and has got more by the old harp of Ossian than most of his predecessors could draw out of the silver strings of Apollo. He has bought three small estates in this country within these two years, given a ball to the ladies, and made other exhibitions of wealth and liberality. He now keeps a Hall at Belleville, his new-purchased seat, where there are as many shells as were in Selma, filled, I doubt not, with much better liquor.”

Writing to a friend on 10th October 1790, Mrs Grant mentions that she was then “flattered with a prospect of getting franks from Fingal” —a familiar name given in Badenoch to the translator—and she proceeds :—

“Mr Grant was at Belleville visiting Fingal, in the beginning of this week. That tender and sublime Bard has, contrary to the usual fate of Authors, enriched himself by his talents of one kind or another. He has purchased an Estate in a beautiful spot on the Spey, twelve miles below this, where he keeps a Hall of Shells, and indeed lives with the state and hospitality of a Chieftain,'—not like

‘A meagre muse-rid mope, adust and thin,
In a loose night-gown of his own dun skin.’

Apropos: he is a full, handsome man, and distinguished among his countrymen by the epithet of ‘ Fair James.’ He is now engaged in building a house which is to cost ^4000. Only think how this must dazzle people accustomed to look on glass windows as luxury, and on floors as convenient but by no means necessary appendages to a building. I am the only lady in the country that has not tasted of his Shells, or been warmed by the flame of his oaks. Judge how domestic I am with my twins.”

As indicative of Macpherson’s kindly and considerate disposition, a letter written by him in 1795—a few months before his death—is here reproduced in facsimile.

Here are some very pleasing reminiscences of Macpherson, about this period of his life, given by Dr Carruthers :—

“We were once,” says Dr Carruthers, “ferried over the Spey by an old greyheaded Celt—a capital head for Caravaggio—who had fifty years before done the same duty for Macpherson. The poet was a great man from London and the Court, bedizened with rings, gold seals, and furs; but he looked with a moistened eye on the turf schoolhouse in which he had once taught English, and on the hills on which he had run in his youth. They were then his own property, and he told the ferryman, with strong emotion, and no doubt with Highland pride, that he would make every poor Highlander on his estate a comfortable and a happy man ! We have always thought more of Macpherson since.

“An act of generosity is recorded of him connected with the Chief of his Clan, Cluny Macpherson. Cluny had been 'out in the forty-five,’ and his estate was confiscated. When Macpherson rose into favour with the Government, he exerted himself to have the property restored. It was offered to himself! He had the virtue to decline the offer; and at length he succeeded in placing it again in the hands of the rightful owner.

“To the poor around Belleville he seems uniformly to have been kind and generous. For several years before his death he had been in the habit of spending a few weeks during summer on his Highland property. He built his house not by contract, but by native workmen, whom he paid liberally on day’s wages; and he was the first person in Badenoch who gave is. a-day to agricultural labourers, who had previously received only 8d. and 9d. Scores of them were employed on his grounds and in forming his embankments. His gay and social habits drew around him much company. After a forenoon’s writing he used to mount his horse, sally out, and bring home with him ‘ troops of friends ’ from both sides of the Spey. Then with wine and jest—and no man was more various and fascinating in society —the festivities were prolonged far into the deep dark night of the mountains. A fatal close soon came to his prosperous career. He had been late in visiting the Highlands in the summer of 1795, and, feeling unwell, he resolved on remaining through the winter.”

Return to Book Index Page


This comment system requires you to be logged in through either a Disqus account or an account you already have with Google, Twitter, Facebook or Yahoo. In the event you don't have an account with any of these companies then you can create an account with Disqus. All comments are moderated so they won't display until the moderator has approved your comment.

comments powered by Disqus