This is the 150th article on
Robert Burns Lives! and little did I realize what had been set in motion
when the first chapter appeared in The Family Tree publication out of
Moultrie, Georgia with a circulation of over 75,000 subscriptions. Sadly
that marvelous paper ran into financial trouble and went out of business. It
was then, however, that Robert Burns Lives! moved to the internet site of
What began as an outreach to
Burns laymen like me changed directions because of one man. In a short time
our web site evolved into both an academic and layman presentation.
Originally the Burns web site was not my focus as I was then reviewing books
under the title of A Highlander and His Books. Doing both meant fewer
articles on Burns, so I made the decision to cut back drastically on the
book reviews and concentrate primarily on Robert Burns. Doing so has been
such a fun trip! Much joy has come my way through meeting people whose names
I only knew on the spines of books they wrote or edited. Many are now my
friends, and as time or conferences allow, we find time to break bread or
share a bottle of wine.
The one man I credit with
giving Robert Burns Lives! its new emphasis is Professor G. Ross Roy from
the University of South Carolina. This man, recognized as a world-class
Burns scholar, is one of the finest writers in the world dedicated to
scholarly research of Burns. He was even once referred to as the Chairman
of the Bard by Edinburgh columnist Jim Gilchrist. No one in the Burns
community is more respected than Dr. Roy. His affair with Burns began on a
trip to Scotland with his grandfather when Ross was only eight years old. He
is an easy man to admire and is a grand gentleman who was fortunate to marry
a young French girl named Lucie. Both have become close personal friends of
Susan and mine. I credit his article titled Important Editions of Robert
Burns (Chapter 6 in our Index and later expanded on in Chapter 13) as the
turning point in our emphasis on Burns. I like to think that Robert Burns
Lives! is a different type web site since there are so many excellent
contributors writing on numerous areas of the Burns mystic.
While corresponding back and
forth in several emails with Dr. Patrick Scott, also from the University of
South Carolina, he shed some light on the article below by saying that it
is about a Burns puzzlesome jotted numbers in Burnss handwriting where
there is no immediate clue about what the numbers represent. Soon after he
got the letter on which they are written, Ross Roy published his solution to
their meaning, in his journal Studies in Scottish Literature. The account
below is his recent updating of that article, for readers of Robert Burns
Reaching our 150th chapter is
a milestone for Robert Burns Lives! and I wanted this one to be a special
article by a special person, thus we give you another commentary by G. Ross
Roy. Thank you, Ross, for helping make Robert Burns Lives! what it is today.
How Many Copies Were
Printed of Burns's Second (Edinburgh) Edition?
By G. Ross Roy
G. Ross Roy receiving his honorary Doctor of
from the University of Glasgow, June 2009
Ross Roy celebrating his 88th birthday
Carol Benfield and Ross Roy enjoying his
Thanks to Kathy Dowell, University of South Carolina Libraries for the above
We know from Burns's
correspondence that the second or Edinburgh edition of his poems, sold by,
but not published by, William Creech in 1787, attracted more subscribers
than anticipated. In a letter to Mrs. Dunlop of 22 March 1787, the poet
mentions a "third" edition because "the second was begun with too small a
number of copies.--The whole I have printed is three thousand" (Letters of
Robert Burns, ed. Roy, Oxford 1985, II: 90).
The two groups of copies
printed in Edinburgh that Burns calls here the second and third editions are
the so-called "skinking" and "stinking" versions, well known to
bibliographers and collectors. The misprint of stinking for skinking in
Burnss Address to the Haggis (on p. 263) is only one of several small
variants. All the variants occur in the first part of the book. Because the
decision to print extra copies was made mid-way through production, only the
first sections of the book (up to p. 288) required resetting the type; all
the sheets for the later sections (pp. 289-368), including both the original
and the extra copies, were printed from the same type-setting. Copies made
up of sheets from both print runs were apparently published at the same
time, on 17 April 1787. To modern Burns scholars, the skinking and
stinking versions are known as the first and second states of the second
edition, and the term third edition is reserved for the London edition
later that same year.
For want of more precise
information it has been assumed that there were 1,500 copies printed of each
state. Of this number about 2,900 were subscribed for, including 500 copies
for Creech. J.W. Egerer argues in his Bibliography of Robert Burns
(Edinburgh, 1964: pp. 12-17) that Creech had difficulty disposing of his 500
copies and that he sent some of them to London, where they were sold by A.
Strahan and T. Cadell before their London edition of 1787 appeared. All of
the numbers which Egerer and earlier scholars suggest are approximations.
A closer approximation may be
inferred from some jottings on a letter of 13 February  from Henry
Mackenzie to Burns. The manuscript of the letter, formerly in my personal
collection, is now  in the G. Ross Roy Collection at the University of
South Carolina Library. What Mackenzie wrote was published from this
manuscript in Prof. Horst Dreschers Literary Correspondence and Notebooks
of Henry Mackenzie (1989), pp. 153-154. As the image below shows, on a blank
section of the letter the poet has jotted down the following figures in a
column: 1000, 500, 1500, 250, added up to a total of 3250.
No Burns scholar who has
examined the manuscript doubts that the figures are in Burnss handwriting.
This total suggests that this may have been Burns's calculation of the
number of copies printed. The 1000 would have been the additional names
which came in on the subscription lists, the 500 the copies subscribed for
by Creech, the 1500 the initial printing (the "skinking" variant), and,
perhaps, the 250 the number of copies to be sent to London.
There is no proof that these
numbers had anything to do with the print run of Burns's poems, but no other
solution comes to mind. Certainly it could not refer to any sum of money;
Burns never made that much in his life. That 250 copies were planned on for
the London market would fit in with Egerer's conclusion that copies were
sent there before the London edition could be printed, and would also
suggest that Creech's estimate that he could sell 500 copies in the
Edinburgh market was not far off the mark.
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